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Secondly, though not quite in the category of what I have just been saying, yet relative to the same high conception of his art, I greatly urge the young professional never to play down to an audience. By this I mean, never to be persuaded to play second-rate music to a certain class of public on the plea that they are not sufficiently educated to appreciate the best. This is the greatest possible fallacy, as I know by experience, for I have played all over the world to every sort and condition and class of people, and I have always found that they respect and are interested in one’s art even when they do not quite understand it all, and that they appreciate and desire the best a man can do. The artist should always try to stimulate his public up to the highest kind of music and never sink to clap-trap in order to entice their passing fancy. Otherwise, though they may enjoy themselves for the moment, they will not want to come again and he will be lowered in their estimation to the level of what they have heard from him. To play up to the highest standard ought to be the cardinal maxim of the young pianist, and then with hard work, enthusiasm and unfailing resolution he will in time make his way up the steep ladder into first rank and win the rewards of success.